#poul kjærholm pk22

[homedecoritem]

The Timeless Elegance Of Poul Kjærholm's Pk22 Chair

Subheadings:

●       Introduction to Poul Kjærholm

●       The Design Philosophy Behind the PK22 Chair

●       The Materials and Construction of the PK22 Chair

●       PK22 Chair in Modern Interior Design

●       Conclusion: A Testament to Poul Kjærholm's Design Legacy

Introduction to Poul Kjærholm

Poul Kjaerholm Pk22 chair was a Danish furniture designer known for his minimalist designs and use of natural materials such as steel, leather, and wood. Born in Østervrå, Denmark in 1929, he studied at the School of Arts and Crafts in Copenhagen before beginning his career as a furniture designer. His work was heavily influenced by the Bauhaus movement and the work of fellow Danish designer Arne Jacobsen. Kjærholm's designs were known for their clean lines, simple forms, and attention to detail. One of his most famous designs is the PK22 Chair.

Key takeaways

●       Poul Kjærholm was a Danish furniture designer known for his minimalist designs and use of natural materials.

●       The PK22 Chair was designed by Kjærholm in 1956 and reflects his design philosophy of simplicity and functionality.

●       The chair is made from a single piece of bent steel with high-quality leather upholstery.

●       The chair's minimalist design and attention to detail make it a timeless piece that has become a popular choice in modern interior design.

●       The PK22 Chair is a testament to Kjærholm's design legacy and his influence on the design world. 

The Design Philosophy Behind the PK22 Chair

The PK22 Chair was designed by Poul Kjaerholm Pk22 in 1956. The chair was a reflection of Kjærholm's design philosophy, which emphasized simplicity and functionality. Kjærholm believed that furniture should be beautiful, but also serve a purpose. The PK22 Chair is a testament to this philosophy. The chair is made from a single piece of bent steel, which creates a sleek and minimalist look. The chair's seat and backrest are made from high-quality leather, which adds a touch of luxury to the design. 

The Materials and Construction of the PK22 Chair

The PK22 Chair is made from a single piece of bent steel, which creates the chair's frame. The steel is treated with a special coating to prevent rust and ensure the chair's durability. The chair's seat and backrest are made from high-quality leather, which is available in a variety of colors. The leather is stretched over the steel frame and secured in place with straps. The chair's legs are made from stainless steel, which adds stability and strength to the design. 

PK22 Chair in Modern Interior Design

The PK22 Chair has become a popular choice in modern interior design. The chair's clean lines and minimalist design make it a versatile piece that can be used in a variety of settings. The chair's leather upholstery adds a touch of luxury to any space, while the steel frame gives the chair a modern and industrial feel. The chair is often used in living rooms, bedrooms, and offices, and is often paired with other minimalist furniture pieces. 

Conclusion: A Testament to Poul Kjærholm's Design Legacy

The PK22 Chair is a testament to Poul Kjærholm's design legacy. The chair's minimalist design and attention to detail are a reflection of Kjærholm's design philosophy. The chair's use of natural materials and simple forms make it a timeless piece that has stood the test of time. The PK22 Chair continues to be a popular choice in modern interior design and is a testament to Kjærholm's influence on the design world.

[frenchcurious]

Poul Kjærholm (1929-1980) Chauffeuse "PK22" créée en 1955 - Édition E. Kold Christensen. - source Artcurial.

[eyeontw]

丹麥國寶品牌 Fritz Hansen 引領設計美學超過150年的開創先鋒卓越經典締造者將北歐美學DNA與在地連結揭示全台三家嶄新沈浸式體驗空間限時展出與國際同步的登峰造極大師之作經典再升級

1872年成立於丹麥，成功研發熱壓合板模塑技法，自此開啟了家具設計的革命。Fritz Hansen 150多年以來，與名家巨擘 Arne Jacobsen, Poul Kjærholm, Piero Lissoni, Kasper Salto 和 Cecilie Manz, Jaime Hayon 等大師攜手合作，持續挑戰各種工藝技法。不僅以全方位的家飾、燈光為生活帶來創意與美好心動感，更屢創經典：天鵝椅、蛋椅、螞蟻椅、水滴椅、7號椅、PK22椅、Concert 吊燈、Lissoni Sofa…..等等，

Fritz Hansen卓越經典創造者，影響世人���先驅 1872年成立於丹麥，成功研發熱壓合板模塑技法，自此開啟了家具設計的革命。Fritz Hansen 150多年以來，與名家巨擘 Arne Jacobsen, Poul Kjærholm, Piero Lissoni, Kasper Salto 和 Cecilie Manz, Jaime Hayon 等大師攜手合作，持續挑戰各種工藝技法。不僅以全方位的家飾、燈光為生活帶來創意與美好心動感，更屢創經典：天鵝椅、蛋椅、螞蟻椅、水滴椅、7號椅、PK22椅、Concert 吊燈、Lissoni Sofa…..等等，它們的身影出現在電影、精品飯店、學校、聯合國大會，甚至被紐約現代藝術美術館 MoMA 列入館藏，也為設計界創下無數里程碑。以全世界銷售數字早已逾700萬張，甚至超越了丹麥人口的 Series 7（7號椅）來看，Fritz…

[ffondazione]

Poul Kjærholm PK22

[1018fw]

PK22

Poul Kjærholm

[guillaumefouquetantiquites]

Poul Kjærholm chauffeuses PK22 Ed.Kold Christensen 1955 (à Guillaume Fouquet Antiquités) https://www.instagram.com/p/BtBpL80nYlx/?utm_source=ig_tumblr_share&igshid=1h6x7mewopyew

[atreodeco]

1. Drop chair by Arne Jacobsen for Fritz Hansen. Designed and launched in 1958; relaunched in new colors and materials in 2014.

2.  Pelican chair by Finn Juhl. Designed and launched in 1940; relaunched by Onecollection in 2001.

3. PK22 lounge chair, launched in 1956, and PK80 daybed, launched in 1957, by Poul Kjærholm for Fritz Hansen.

[scandinaviancollectors]

Apartment installation in Copenhagen by artist Pernille Egeskov: PK22 lounge chair in suede and brushed steel (1956) and the sofa table model PK61 (1956) by Poul Kjærholm for Fritz Hansen (originally made by E. Kold Christensen), wooden artwork by Egeskov. / Residence

[ulfgbohlin]

The coffee table PK61™ and the PK22™ lounge chair > Poul Kjærholm.

[anniversary-magazine]

Residence DD by Pieter Vanrenterghem

On Belgium’s Western Front close to the French border, lies the village of Adinkerke.  Flanking the historic village and not far from the Belgian coast is a country estate; one of the last farms in the region to be walled by water.

Local designer Pieter Vanrenterghem was asked to bring this former farmhouse and its cluster of outbuildings from beneath their agricultural veil and into the open as a rural retreat. Offering an antidote to fleeting trends, Pieter asserts the hallmarks of modern Belgian design; simplicity, warmth, and craftsmanship, bound by natural materials. 

While no longer a working farm, Pieter set out to accentuate its Flemish pastoral history when transforming the main house and the adjoining four buildings. The main house spans open plan living, three bedrooms, and three bathrooms, together with an additional two bedrooms with ensuites in the surrounding structures. “Two of the buildings are designed as a bed and breakfast. The program of the main house needed to be able to adjust to this same purpose, in case it became too big in the future,” Pieter says.

In creating a true destination of escape, Pieter converted the fourth building into a fitness space, complete with its own indoor swimming pool, while the fifth building became a dedicated party venue; a large, lofty hall designed to host large gatherings of more than 100 people.

Across all five buildings, the owners wanted to reflect the best of Belgian interior traditions. “The owners requested an easy house to live in; distinguished by warmth and tactility, shaped by natural materials,” Pieter says. He proudly lists a number of natural surfaces from the Muzillac Veine in Agripa Fine natural stone in the kitchen to the Travertine - both sourced from Belgian stone supplier Hullebusch.

The Moroccan Tadelakt lime plaster technique lines the floors in the main house, topped with sisal rugs and Pieter’s signature walnut timber joinery.  He also selected dark oak herringbone flooring for the party hall, under restored exposed timber beams. “The interiors are very clean and minimal and consist of specific alignments,” Pieter says. “The use of natural materials softens these lines, making the spaces feel more human.” 

When asked about his favorite space within the project, Pieter says he’s drawn to the open plan living, dining and kitchen area in the main house. A cozy, contemplative place to curl up by the custom fireplace, the living space plays host to a collection of design icons. From Michel Ducaroy’s Togo sofa for Ligne Roset, Pierre Jeanneret’s Easy Chair, and  Poul Kjærholm’s PK22 Easy Chair for Fritz Hansen, to the Austere Floor light by homegrown talent Hans Verstuyft for Trizo21.

When we seek to define what luxury design means today, there has been a refreshing shift away from excess, to the quiet, simple, and slow. Nowhere is this more apparent than in Belgium; a nation that continues to produce some of the world’s most renowned design aesthetes. Pieter Vanrenterghem joins this esteemed crowd, capturing the essence of rural timelessness in grand scale and stature.

All images © Thomas De Bruyne — Cafeine

Words & images, Courtesy of Pieter Vanrenterghem

[homedecoritem]

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[frenchcurious]

Poul Kjærholm (Danois, 1929-1980) Fauteuil, PK22, design 1958 pour E. Kold Christensen. - source LiveAuctioneers.

[lokaalstudioauctiontips]

PK22 by Poul Kjærholm, Exclusive Edition, 1955

[estudiodedecoracion]

Poul Kjaerholm

Poul Kjaerholm. Ebanista y diseñador de mobiliario.

Poul Kjaerholm (1929, Øster Vrå – 1980, Copenhague, Dinamarca) comenzó como aprendiz de ebanista con Gronbech en 1948, pasando en 1952 a la Escuela Danesa de Artes y Oficios en Copenhague.

Ese mismo año de 1952 hasta 1956 comenzó una carrera como educador en esa misma escuela mientras seguía estudiando con los profesores Erik Herløw y Palle Suenson.

Su estilo personalísimo se manifestaba ya en 1952 en su serie minimalista “PKO” de madera contrachapada, siempre atento al detalle lógico y minucioso con un aura de exclusividad.

En 1953, se casó con Hanne Kjaerholm, que se convirtió en una exitosa arquitecta.

Desde mediados de la década de los 50 (1955) trabajó para su amigo Ejvind Kold Christiansen en Hellerup, un distrito de la municipalidad de Gentofte en los suburbios de Copenhague.

Ejvind Kold Christiansen fue un empresario que le dio una gran libertad artística y que produjo una amplia gama de sus muebles.

De 1957 a 1976 pasó a ser profesor en el Departamento de muebles e interiorismo en la Real Academia Danesa de Bellas Artes en Copenhague.

Poul Kjaerholm, a pesar de sus inicios como artesano, fue un fuerte defensor de la producción industrial y su trabajo se destaca entre los de sus contemporáneos daneses debido a su uso de marcos de acero en lugar de la madera tradicional.

En la moda típicamente escandinava, la mayoría de los contemporáneos de Poul Kjaerholm optaron por la madera como su principal material de construcción de muebles.

Sin embargo, a pesar de ese protagonismo del acero, Kjaerholm siempre lo combinó con otros materiales y diseñó muchos de los asientos para sus muebles en materiales naturales como caña, lona, cuero, marmol y cuerda.

Kjaerholm eligió el acero como su material destacado por considerarlo un material natural con la misma nobleza artística que otros materiales naturales.

“El potencial constructivo del acero no es lo único que me interesa, la refracción de la luz en su superficie es una parte importante de mi trabajo artístico, considero el acero un material con el mismo mérito artístico que la madera y el cuero“, comentó en su día Poul Kjaerholm.

En 1957 fue galardonada con el Gran Premio en la Triennale de Milán por su silla “PK22“, y un año después recibió numerosos elogios internacionales por su aportación a la exposición “Formes Scandinaves” de París.

En 1965, su PK24 Chaise Longue, de líneas fluidas simples combinadas con acero y caña tejida, tipificó su estilo maduro, y en 1967 fue galardonado con el premio danés ID por su diseño de productos.

En 1973 se convirtió en jefe del Instituto de Diseño y finalmente en profesor en 1976 hasta su muerte 4 años más tarde.

Desde 1982, la Republic of Fritz Hansen -una empresa líder en fabricación de muebles daneses- se hizo cargo de la producción y venta de una amplia selección de sus diseños “The Kjærholm Collection“, desarrollada entre 1951 y 1967.

En 2004, el hijo de Poul Kjaerholm estableció Kjaerholm Productions para producir los muebles de su padre que Fritz Hansen había parado de fabricar en el año 2003.

Fritz Hansen en 2007 añadió dos nuevas piezas a la Colección Kjaerholm, piezas que nunca antes se habían producido, como la silla “PK8” y la mesa de comedor “PK58“.

En 2008, la editorial Gregory R. Miller & Co. publicó la obra de referencia, completa y definitiva del diseñador, “The Furniture de Poul Kjærholm : Catálogo Raisonné” de Michael Sheridan.

Sus diseños están en la colección permanente del Museo del Arte Moderno de Nueva York (MoMA); del Museo Victoria & Albert de Londres y de otras colecciones en museos de Dinamarca, Noruega, Suecia y Alemania.

Republic of Fritz Hansen (pág. web).

Poul Kjaerholm, y “PK22” lounge chair (1956). En 1957 fue galardonada con el Gran Premio en la Triennale de Milán.

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from http://decorador.online/disenadores-destacados/poul-kjaerholm/

[createurdeclasse]

Our promise of premium quality is truly enhanced in every single Poul Kjærholm piece - and these PK22™ chairs and PK80™ daybeds upholstered in Royal nubuck are no exceptions. ✨ Discover the designer: fritzhansen.com/designers/poul-kjaerholm

[morfandform-blog]

Poul Kjærholm, PK22 Lounge Chairs, 2006, Almond & Co.